HLURU 21 Key Kalimba Thumb Piano, RoseWood C Tone Hollow Kalimba Instrument
SKU: 75348954636

HLURU 21 Key Kalimba Thumb Piano, RoseWood C Tone Hollow Kalimba Instrument

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Description

HLURU 21 Key Kalimba Thumb Piano, RoseWood C Tone Hollow Kalimba InstrumentHLURU 21 Key Kalimba For Sale This 21 Key Kalimba showcases an ergonomic large arc design on the back (US Patent No.: US D39625 S EU Patent No.: 008311799 0002), providing a comfortable, secure grip. Its hollow body features HLURU's exclusive tail sound hole design (US Patent No.: US D939624 S EU Patent No.: 008311799 0001), delivering a pure, direct sound with minimal reflections for a clean tonal experience. Kalimba originates from Africa as a kind

HLURU 21 Key Kalimba For Sale 

This 21 Key Kalimba showcases an ergonomic large arc design on the back (US Patent No.: US D39625 S / EU Patent No.: 008311799-0002), providing a comfortable, secure grip. Its hollow body features HLURU's exclusive tail sound hole design (US Patent No.: US D939624 S / EU Patent No.: 008311799-0001), delivering a pure, direct sound with minimal reflections for a clean tonal experience.

 

Kalimba originates from Africa as a kind of portable musical instrument.
Hluru creates the high-end Kalimba via superior Black Walnut, Black Walnuts & MapleZambian RoseWood to chase the melodies around in the deep forest.

The resonant box has a sound hole which creates "wah-wah" effects that can be more manually encouraged by covering or uncovering the sound hole.

  • Based on thousands of testing & adjusting,the circular arc design of HLURU 21 key kalimba is just good for performance.
  • The 21-scale design with 3 more high tones compared to the 17-scale, it provides vivid & delicate tones & performs more types of music, makes the timbre more ethereal, smooth & tender.
  • The 21-Scale has been protected by the patent.

Features

  • Carefully Selected Wood
    • The SOUL of musical instrument depends on the WOOD.
    • Hluru creates the high-end 21 Key Kalimba via superior Zambian RoseWood, especially the wood with curly or fiddleback figure for better play.

    • Hluru 21 Key Kalimba Thumb Piano Selecting "Curly Figure" from Zambian RoseWood as the generator, It is made of full flat board, and the selected wood is more than 10 years old. All of them are printed with tree rings, and the sound will be more solid and rich. Combining vocal music theory, natural and gorgeous texture, fine and uniform structure, and strong acoustic plasticity.

  • This 21 Key Kalimba Upgraded Trepanning Design (Box Resonace) - According to the Principle of Vibration
    • The 3cm thickened one-shape design creates the clearified & tender melodies to provide excellent performance of warm music with good tenutos.

  • This 21 Key Kalimba Ore Metal Piano Keyboard
    • It is made of ore metal with enhanced toughness and a key-down design, which can reduce the pain of finger playing for a long time and is more suitable for performance.

  • Environmental Protection Paint
    • The use of environmentally friendly paint-free plates, waxing process, elegant color, beautiful texture, you can rest assured to touch, enjoy immersion in vocal music.

  • Solid wood inlaid LOGO
    • LOGO made by inlaid technology, delicate and beautiful.

  • Ergonomic Body Shape
    • The advanced ergonomic body shape design is dedicated to provide the most comfortable & effortless playability for the users.

 
 

Specification

  • Brands: Hluru
  • Material: Zambian RoseWood / Ore Metal Piano Keyboard
  • Body: Hollow Kalimba - Upgraded Thickened Design (Trepanning)
  • Piano Keyboard: Mineral Keys
  • Scale Range: 21 Keys (Ethereal / Longer sustain)
  • Tone: C Major

  • Item Size: 14*18*3cm / 5.51*7.09*1.18in

  • Item Weight: 0.6kg / 1.32lbs / 21.16oz
  • Package Size: 24*20.5*8.5cm / 9.45*8.07*3.35in

  • Package Weight: 1.1kg / 2.43lbs / 38.8oz

Package Included

  • 1 x 21 Keys Kalimba
  • 1 x Pickup
  • 1 x Tuner Hammer
  • 1 x Song Book
  • 2 x Stickers
  • 1 x Piano cloth
  • 1 x Premium piano bag (ITALIAN JOINT DESIGN)

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SKU: 75348954636

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★★★★★ 5
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Format: Paperback
Why read Butler when we have Wittig?
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Reviewed in the United States on November 27, 2017
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CK
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★★★★★ 5
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Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
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Chris Eldredge
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excellent sevice
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Reviewed in the United States on June 23, 2015
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Lee Hall
Lexington, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
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monsieurw1
Lexington, US
★★★★★ 3
Partly still thought-provoking, partly dated
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Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013

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